"I hope that there is no jealousy on the part of anyone, but I dare say that the narrative written by women in recent years is much more daring, experimental, free, written by the men. I had already been thinking for some time and come to corroborate the reading of selected stories The future is not our . If we talk only of poetry and prose written in English, is not news to anyone women have had to deal enough to give legitimacy to his writings, and to legitimize themselves through their writings. Of course, sometimes these worries claiming ownership played a role against his own writing and the aesthetic were left out in search of an assertion both individually and collectively. This has led them for so long, I argue, to an unequal battle, yet it is precisely from this dual effort that has solidified its poetic and narrative resources. Dedicated to this task, the show's success and exposure in the media, having a public identity, was not, or think they are a priority. In that sense, these chauvinisms resolved, do not depend on trust rather than his writing. I suspect that for them the literature is much more than a race of writers. I say he saw as competition career and trade.
Hence my pleasant reading to discover a variety of subjects, verbal, risk projection and read stories. Of course, the theme of the body and the marginalization of women continues, but new approaches, without being trivial complaints. In this line met Yolanda Arroyo Pizarro, Lina Meruane, María del Carmen Pérez Cuadra, Fernando Trias, Giovanna Rivero, Gabriela Bejerman, all with full management of your writing. And the stories that excited me most in this group were those of Pilar Andrea Quintana and Jeftanovic. Violation of the story seemed masterful Quintana, a story which truly calibrated and could raise many questions. Another focus in the narrative of these writers is creating a crisis for writing itself, to question reality and fiction. It is logical and healthy are no answers, knowing that their art is in construction. This is what I found in Ariadna Vasquez, Vivian Abenshushan and Ena Lucia Portela. Obviously, these distinctions do not aim to reduce the merits and complexity of each story. Just highlight some features. As might do if I refer to the language close to that found in chronic Eunice Shade, Nona S. Fernandez, Margarita Sanin Posada Jaramillo Carolina. Refined and functional prose, but I think in the case of the latter, its language goes even beyond what we spotted. There are also stories, most, in fact, that dazzle attachment to the sensory. These stories, all senses are privileged. Mariana Enriquez pointed out in, and especially in Bortagaray Inés. His story disturbed me at the table, in the see the conjunction of all the distinctions made above. A writer with such force deserves to be followed "
Electronic source: First Impressions / The cave
Pictured: Inés Bortagaray
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