Sunday, August 31, 2008
Bad Cases Of Impetigo
Architect of future foreign. Newspaper El Nuevo Dia, Puerto Rico. (August 2008)
By Tatiana Pérez Rivera
[Excerpt]
"The Peruvian Diego Trelles Paz anthologist and prefaced" The future is not ours, "which brings together storytellers born Latinos between 1970 and 1980.
Do not worry if the names most authors are unknown to him. Case no absolute importance once enters texts boast of originality, wit, irony and, add them as well, mystery.
stories In watchmen transit, passenger train, a love of cats, survivors of family dinners, in distress models and even a wandering soul to another, among many other characters lovable and despicable.
"The future is not our" meet storytellers of Latin America and the Caribbean born between 1970 and 1980. The project, available in the online journal Colombian www.piedepagina.com was created and a preface by the author Diego Lima Trelles Paz, who comments on the adventure of doing.
[...]
Why stories?
is the classic format, the stories have an extension that makes possible the compilation. Novel fragments not accepted because the idea was to present something round, finished with a beginning and end. Options are autologous and me, personally, novel fragments embedded in an anthology I seem a bit unfair with the reader, let him halfway and unable to continue.
[...]
What has made internet support for the anthology in terms of readers?
The electronic format is always popular for the ease of access. By this I mean that the electronic anthology will be much read the paper. I decided to go online because the idea is to introduce readers to present our work and they decide when and how to read, to whom and in what order. The freedom that the internet will not ever with the printed version. We hope to be published in most countries as possible for readers of electronics may also be able to access the second part of the project.
What type of feedback has been the initiative and who?
people are talking a lot in blogs in Latin America and Spain. The news has appeared in newspapers in Argentina, Peru, Bolivia, Ecuador, Panama, Chile, Paraguay and Puerto Rico, and I hope that will continue leaving notes. We're doing a news blog where we will put everything we encounter. The idea, of course, is that we analyze, criticize, dissect, discuss, etc. Anything less silence.
Do you have the strength for another anthology?
No. The anthology was a side project and is over the brackets. The fiction is my thing and that I am. "
Pictured: Maria Jose Teran Trelles (on behalf of her uncle D.)
Rosetta Stone Rsd Play
The Puerto Ricans in the anthology. Newspaper El Nuevo Dia, Puerto Rico. (August 2008)
By Tatiana Pérez Rivera
[Excerpt]
By Tatiana Pérez Rivera
[Excerpt]
"rested among his papers two stories until they received a call from Diego Trelles Paz asking for the anthology pieces cyber The future is not our , which met American narrators born between 1970 and 1980. The journey was long but surely, their minds went to paper or your computer monitor and then culminate in the network. Yolanda Arroyo Pizarro
and Hugo Rios represent us in the anthology with stories "Drawing Hands" and "Another story of cats."
"My story was born two years ago at a workshop of Mayra Santos-Febres. But The inspiration came from the story of the American writer Ambrose Bierce "The Strange Case of the Owl River Bridge ', which details the death of a soldier and speaks on the dark side of man before making a decision. The protagonist of my story draws the scene of Ambrose in the Owl River. I wanted to make a game like Escher's paintings that are out of the box, I wanted the picture of the story and jump out of it " says Arroyo Pizarro.
The author, who last year was part of the conference "Bogota 39", considered that their participation helps to "put Puerto Rico on the map."
"I am delighted that Diego found him eligible for membership in the anthology" , host of the blog says "Lights", called in honor of their daughter Aurora. [...]
With "Another story of Cats", Hugo Rios, based in the United States, where he finished a doctorate at Rutgers University, participating in the project. Created in 2003, the same part of the storybook "no portrait Marcos, awarded in 2003 by the PEN Club of Puerto Rico. "It was one of the last to be included (in the book)" , says Rivers.
The anthology was called by Trelles Paz, who also participates in the story "part surreal in the Harry Ransom Center."
"I was contacted via email me for some time To ask for some contributions to the anthology. He chose the story published ", says Rivers.
The creative process of the stories was a little aggressive with the author.
"That's one of my biggest problems. The stories I do not attack me and I them. I have some ideas reelin, sometimes for months, but not a word written. But when they do, they do chain. They go from two to five stories in a row, I write by hand and then start to copy them to eliminate words that are the size you prefer, "he explains."
Pictured: Hugo Rios
Sarah Hendy Wikipedia
[Critical Review]. Worshiper of the future that is not mine. BOREAL, Puerto Rico. Written by Yolanda Arroyo Pizarro, Puerto Rico. (August 2008)
Worshiper future that is not my .
By Yolanda Arroyo Pizarro.
"I've been reading my fellow anthology and I'm very proud to be surrounded by so much talent." The future is not ours' is a very explosive arsenal of literature. To me it makes me like all an essential reference, which Xs or yé, twist of fate or coincidence timing , includes me. A great honor. Here I will publish the comments of my reading about the wonderful work of my fellow "
"Read to compatriot Hugo Rios is feasting. In 'Another story of cats' makes excellent display of the domain of prose. Recreate a sample of what they did Cortázar, Borges and Carver. History the story below, on the edge, walking forward flush. Good management of images twist the feline food mess and leaves us with the sweet saborcito the discovery revealed. This quote from the story I love: "knew the place well and I found a job half done. It was very cold so I had to use the tools of my friend to remove a piece. I heated the proceeds for my effort in the microwave to remove the portions served were cold and all my friends. "-Hugo Ríos"
"In 'The Escapist' Carlos Wynter Melo, Bogota 39 mate, let us pretend to be the Houdini of each of our lives. It allows us to embody the character that will make the spell. This is the last act of Vittorio, a man who over the years is being lost and is finding the reason for being in another dimension, perhaps more ethereal. The escapist had to retire from public life for reasons unknown, and suddenly the blow. I was fascinated by these two quotes from the story: "I've tried all metaphors. I am a" metaphor "." Vittorio did not appear. Vittorio Oh, what is that to escape forever? " - Carlos Wynter Melo"
"This is my favorite story by far. Lighting, Andrew Neuman, another friend of Bogota 39. This story distills everything to which I aspire. That prose so neat, so perishable, so substantial. That phrase so well built, extremely well connected. That love of the word must have to return to it this minuet. Originality, sense of wonder, dazzling in the performance. Neuman grabs the reader and leaves you exhausted, as it is the protagonist. Lighting and we also ended up with physical pain that is transferred from paper to mind and thence to the nerve endings. Quote: "So we're living, for fear, and the man was afraid that I could push back against the pain that pulled inward, hiding the head, and Dr. Riquelme pulled my wife and I looked at the eye and said we can not delay too much, push more ... " - Andrew Neuman"
About " The jaguar " Rey Emmanuel Andújar (Santo Domingo, 1977)
" The Jaguar's going to be an inanimate object to a story right hook. Of those that leave you stunned. Not surprisingly, Rey Emmanuel Andújar spent years following the passage from his novel "Triangle Man 'to their latest hit' Candy '. Never let me down the King. In this story thrown away again with his very special expertise to provide the most succulent macabre details. Another for my collection of favorites. "To her surprise, she output appeared as Victoria Secret Catalog: hair fell like a waterfall, so pretty, or even a drop of makeup, shingles in the division of the soft huge tits ... that promised the goose flesh was almost palpable. " - King Emmanuel Andújar.
"Alejandro Zambra in 'The Cyclops' plasma decay of illusions when you are escaping, disbanded right before your eyes and not be able to do anything. These two aspiring actors who are writing and who are also veterans of the hallucinogenic psychotropic substances, hoping the dogs of loneliness and the Cyclops are so lonely as themselves. The reflection is necessary. Alexander also is a partner of Bogota 39 and has a delicious novel is titled "The Private Life of Trees, which I highly recommend. Quote: "If you've lived much write novels, short lived if you write poems . - Alejandro Zambra
" Finding Diego Trelles Paz has been the best thing that has brought the 2008 in my literary career. An event. Dedicated man, a lover of lyrics that breathe passion and meticulous selection of readings that honor other writers, Diego has been given the daunting task of drinking to 63 authors and prolong the historic coupled. Moreover, in free, I devoured his writing. Reading it has given me several lessons in prose, which is not bad. Is evident in the prose of that tribute Diego respectful and thorough look of curiosity about the authors that we formed, we chisel. Permeates the total admiration and joy to those readings that we did, we amassed as a goldsmith in the mud. "Reading is blasphemous and only brings pain" estéiment is the most impact in his story caused me. Congratulations. "
Pictured: Yolanda Arroyo Pizarro
Good Snowbaord Movies
[Critical Review]. The future is not ours. PORTA 9. LITERARY DISSECTION, Peru. (August 2008)
By Francisco Angeles
By Francisco Angeles
[Excerpt]
"The point common date of birth, and therefore have lived more or less the same age experiences as diverse as the Iraq war, the suicide of Kurt Cobain or subversion in South America. It is debatable to what extent these experiences, among many other points to the compiler, have shaped or driven to a writer to a specific aesthetic or, more broadly, have led to a number of people share a sense of the reality or a glance fairly similar on it. However, we agree that some events such as the emergence of the Internet, should leave some mark on the literary texts, mark perhaps we are still unable to grasp. Or is still in formation. Piglia would say, one of the forefathers reported by Trelles to people born between 70 and 80, that stories and novels of today including MSN conversations or language that simulates the e-mails is about as when in the stories of a century ago to move the characters left in horses and began to do so by car, without technological change signfique a structural revolution in the way of narration.
Peruvians are selected Santiago Roncagliolo, Alexis Iparraguirre, Sergio Galarza, Marco García Falcón, Jeremias Gamboa, Luis Carlos Yushimito and Savior. The anthology has a virtual version by the Colombian magazine Footer, and will be published on paper (national editions) since 2009. There is also a blog that reports news coverage harvesting The future is not our .
Do we need this anthology? I think so. We know time and again that countries are islands latinomericanos publishing, where even multinationals or get them interested in spreading its catalog out of the country (or city) of origin. Therefore, the future is not ours is presented as an attractive opportunity to read together what usually comes to pieces or simply not forthcoming. On the title and features of those selected, Diego will explain better in an interview in the coming months, when you visit Peru. Meanwhile, the table is served. "
Do we need this anthology? I think so. We know time and again that countries are islands latinomericanos publishing, where even multinationals or get them interested in spreading its catalog out of the country (or city) of origin. Therefore, the future is not ours is presented as an attractive opportunity to read together what usually comes to pieces or simply not forthcoming. On the title and features of those selected, Diego will explain better in an interview in the coming months, when you visit Peru. Meanwhile, the table is served. "
Electronic source: Porta 9
Pictured: Sergio Galarza
Jcpenney Chi Straightener Sale
[Critical Review] Blog: BOOKS, AUTHORS AND RISKS. Review of "The inventory of ships" Alexis Iparraguirre. By: Eduardo Varas
[ Fragment]
[ Fragment]
"Alexis Iparraguirre is a Peruvian writer who winks the eye when it comes to literature, music ... the hospitality of the pages of a story. His story " Inventory the ships "is one of a set of 63 stories that are part of the anthology The future is not our . It is one of the great texts of the collection. It's a hurricane, a litter, a detective story whose motto is to discover the serial murderer who terrorized the Caribbean town that is one or it may be many. "
Electronic source: books, authors and risks
Pictured: Alexis Iparraguirre
Teacher Discovers Teeth Whitening
[Info on blogs] Tezontle TOWER, USA. Blog of Brian Price. (August 2008)
"The future is not ours: American storytellers
have emerged in recent years, several anthologies of young writers, new voices Mexican narrative: stories Anthology (2002), Bogotá 39 (2007) and Great hits, Vol 1 (2008) to name just a few of the more recent and controversial. Well, today I received news of another sucite surely some discussion: The future is not ours: American storytellers. To my knowledge, this is a digital anthology, though if there are no printed version to read it I would be interested too. The issue was addressed by Diego Trelles Paz, Peruvian writer and former student at the University of Texas at Austin, which means, of course, my colleague. The introductory note written by Naief Yehya, Mexican storyteller.
Unfortunately I could not read the text yet, I am with the last throes of an article on rock and Villoro, but I put the link below for those interested. Sure there will be more to say later. "
Electronic source: Tezontle Tower
In photos: cover of Greatest Hits . Vol 1 and Photo of perpetrators of Bogota 39.
What Do Itchy Palms Mean
[SPECIAL]. Interviews with no future. Conversations with authors of The future is not ours. By: Miguel Antonio Chávez
The narrator Miguel Antonio Chávez Ecuador (Guayaquil, 1979), participant The future is not our with the story " Star Dust" has begun to publish (in group blog paper Buseta ) a series of short conversations with writers of the selection. The first interviewee is Ignacio Alcuri (Montevideo, 1980) whose story "universal Jerk" is a curious protagonist a multifaceted Leonardo da Vinci.
Here goes the interview:
Ignacio Alcuri and talents of a certain Leonardo
Interviews no future Conversations with authors anthologized in Future not our (Latin American Storytellers born between 1970-1980)
By Miguel Antonio Chávez
Ignacio Alcuri (Montevideo, 1980).
Author pop Overdose (2003), Combo 2 (2004) and my Problem (2006). He was a columnist for Neo , radio scriptwriter infinite Justice and television for the program informants. He is the author of the blog: hijodechucknorris.blogspot.com
In your opinion, what kind of topics or issues being addressed your contemporaries in Uruguay?
The few examples that I had the pleasure to read (because I read so much and because it has been published both) have a certain pop sensibility. Sensitivity that I have. For me I run through the veins dulce de leche. But there must be many doing a lot of different things. I do not think there are large currents.
What do you think of this kind of "boom" story anthologies that has emerged since the last decade?
are excellent gateways. And they can have a playful element, as in the case of Ark, which assigned a letter to each writer had to write a story about an animal that begin with that letter. With playful element have a taste special.
"Patan Universal "is a story that has seasoned and short story writers in the anthology of Hispanic Americans" Album "and now in The future is not our . Why have you chosen? What other stories would have yours on the lookout for upcoming anthologies ?
microstories I usually write. Delusions of little more than a page. And the more I read, the less I like. But in every book of sixty or seventy, there are two or three that fill my expectations. I have a litter story for a third book, and I guess there will be a couple of "anthology".
José Gabriel Lagos, journalist Uruguayan culture, we have described as "a very funny alien who has no connection with the literary, written to entertain and began photocopying manuscripts and selling them high school mates." How accurate is this perception?
too successful. Of course, he knows me personally so it would be very foolish to give incorrect information about me. Except for the fact that he never sold them. Always paid. When you see what insutaré for treating of mercantilism.
Who is boss: Leonardo da Vinci or the son of Chuck Norris?
Pssst. Son la persona Mishma.
electronica Fuente: Buseto Grupo de Papel
En la foto: Ignacio Alcuri
How Much Power Does A 351 M Have?
[Info on blogs] MUFORDITOBLOG. A nem Jovo to miénk (2008) - Anthology. (August 2008)
"The future is not ours (2008) - anthology
[...] came across
interesting initiative the other day. Last week, for the time being only in electronic form - the portal piedepágina.com care - was published in an anthology of young Latin American writers, short stories, who in 1970 1980 között is születtek.
E Source: Mufordítóblog
Movies With Dunk Tank Scenes
[Info on blogs]: L'EFFECT Jauss 2.0, Catalonia, Spain. (August 2008)
Via editions I received the news of the proposed magazine Pie page anthology of digital young American writers, most of them without the Internet, we should never read anything ... "
elecrónica Source: effect Jauss 2.0
Wording For Third Birthday Invite
[Info on blogs]: STORIES IN EXILE, Mexico. Alberto Chimal Blog. (August 2008)
"Best of once: not only is already available online version (and completely free access) of the anthology The future is not ours Diego Trelles Paz, with a foreword by himself and Yehya Naief introductory text, moreover, has created a blog of press which will collect the reactions leading to the collection and subsequent print versions. The purpose of the book [for the moment unfolded in bits and a promise of views to come] is to provide a sample of the best young Latin American narrative, overcoming isolation and insularity in the literature that have fallen in our countries . The anthology has work of, among others, Mexicans Vivian Abenshushan, David Miklos, Antonio Ortuño, Mariño González Maldonado Tryno.
Electronic source: stories in exile.
Pictured: Mariño González.
Communication Stroke Patients
José Pérez Reyes in international anthology. Diario La Nacion, Paraguay. (August 2008)
[Excerpt]
"The story 'The Gallery' of the writer José Pérez Reyes was included in the anthology The future is not our , forthcoming. The same is a bipartisan project focused on the recent Latin American narrative. The selection and the prologue was in charge of Diego Trelles Paz Peruvian writer and has an introductory note to the writer Naief Yehya. The material is now published electronically in the Colombian magazine Footer (www.piedepagina.com), soon will the print edition. The anthology contains 63 stories of American storytellers from 16 countries, born between 1970 and 1980. "
Pictured: Jose Perez Reyes
What Kind Ofbrand Of Weave Do Lauren London Use
[Info on blogs] LO JUSTO, MALE, Peru. Manuel Enrique Blog. (August 2008)
"This is the book that is giving the time in the literary world never properly weighted: The future is not our , collection of short stories by young writers in Latin America. Among these are several Peruvians, such as Marco Garcia, Jeremias Gamboa, Alexis Iparraguirre and the renowned Santiago Roncagliolo.
The anthologist is Diego Trelles Paz, Peru's young narrator, and is hosted on the website footer, one of the most important sites of Colombian literature. It is a recommended book not only for writers but for aficionados and laymen, like those of Journalism students who spend their valuable PUCP little money to buy the books their teachers Mons (And friends of their teachers ... speech Rafo!)
's no "
Electronic source: right thing, man
Pictured: Jeremy Gamboa
16 Month Old Yellow Poo
New Church Member Welcome Package
In anthology. DAY BY DAY Journal, Panama. (August 2008)
Electronic source: Day by Day
"More than good news, is proud that the young writer of Panama, Carlos Oriel Wynter Melo, has been included in the anthology Hispanic The future is not our , which adds literary creations of 63 young people from 16 English-speaking countries.
Wynter Melo last year participated in the story of the 39 writers under 39 years who met in Colombia. "
Pictured (Charles Guard): Carlos Wynter Melo
Wednesday, August 20, 2008
2003 Jeep Liberty Do I Have Struts Or Shocks
Latin America back to the future. An Anthology Online. Diario Clarín, Argentina. Ñ \u200b\u200bcultural supplement. (August 2008)
By Diego Erlan
"While traveling from Texas to New York by car and sleeping in" motels "depressing (from Memphis, example), Diego Trelles Paz, Peruvian writer and a doctorate in literature from the University of Austin (Texas), tells me by mail the job he took The future is not our , sample most interesting of recent Latin American fiction. Sixty-three stories selected by Trelles Paz, can be read online at Colombian magazine Footer. Authors from 16 different countries, born between 1970 and 1980, who lived in their training the fall of the Berlin Wall, the suicide of Kurt Cobain, the emergence of Internet and the invasion of Iraq by the U.S.. UU. Alejandro Zambra, Santiago Roncagliolo, Andrew Neuman, Antonio Coelho Ungar and Oliver are among the names that can be read here. The project will not only stay on the internet. Also prepared a paper version may be published in various countries of the continent (one per country) and the first will be Argentina, in early 2009, through the Cadence label Eternal . The other peculiarity of this anthology is its negation, which worries from the title. In the foreword , Trelles Paz said that this work comes "in response to a series of misunderstandings associated with the idea demagogic slogan which proclaimed and repeated ad nauseam, that the future belongs to the young" . and hopes to return to the initial steps of productive dialogue and alliance between writer and reader germ. Thus, the text ends with a warning to those who read it: "Come and see that here we are back to the future, telling the collapse"
Bowel Obstruction Scenerio
[Critical Review] The future is ours ... and the present? [PART THREE]. FIRST IMPRESSIONS, Peru. Ricardo Sumalavia Blog. (August 2008)
"I hope that there is no jealousy on the part of anyone, but I dare say that the narrative written by women in recent years is much more daring, experimental, free, written by the men. I had already been thinking for some time and come to corroborate the reading of selected stories The future is not our . If we talk only of poetry and prose written in English, is not news to anyone women have had to deal enough to give legitimacy to his writings, and to legitimize themselves through their writings. Of course, sometimes these worries claiming ownership played a role against his own writing and the aesthetic were left out in search of an assertion both individually and collectively. This has led them for so long, I argue, to an unequal battle, yet it is precisely from this dual effort that has solidified its poetic and narrative resources. Dedicated to this task, the show's success and exposure in the media, having a public identity, was not, or think they are a priority. In that sense, these chauvinisms resolved, do not depend on trust rather than his writing. I suspect that for them the literature is much more than a race of writers. I say he saw as competition career and trade.
Hence my pleasant reading to discover a variety of subjects, verbal, risk projection and read stories. Of course, the theme of the body and the marginalization of women continues, but new approaches, without being trivial complaints. In this line met Yolanda Arroyo Pizarro, Lina Meruane, María del Carmen Pérez Cuadra, Fernando Trias, Giovanna Rivero, Gabriela Bejerman, all with full management of your writing. And the stories that excited me most in this group were those of Pilar Andrea Quintana and Jeftanovic. Violation of the story seemed masterful Quintana, a story which truly calibrated and could raise many questions. Another focus in the narrative of these writers is creating a crisis for writing itself, to question reality and fiction. It is logical and healthy are no answers, knowing that their art is in construction. This is what I found in Ariadna Vasquez, Vivian Abenshushan and Ena Lucia Portela. Obviously, these distinctions do not aim to reduce the merits and complexity of each story. Just highlight some features. As might do if I refer to the language close to that found in chronic Eunice Shade, Nona S. Fernandez, Margarita Sanin Posada Jaramillo Carolina. Refined and functional prose, but I think in the case of the latter, its language goes even beyond what we spotted. There are also stories, most, in fact, that dazzle attachment to the sensory. These stories, all senses are privileged. Mariana Enriquez pointed out in, and especially in Bortagaray Inés. His story disturbed me at the table, in the see the conjunction of all the distinctions made above. A writer with such force deserves to be followed "
Electronic source: First Impressions / The cave
Pictured: Inés Bortagaray
Rainbow Sandals Outlets
[Critical Review] The future is ours ... and the present? [PART TWO]. FIRST IMPRESSIONS, Peru. Ricardo Sumalavia Blog. (August 2008)
" Well, read an anthology more sixty authors take their time. I must say that I started with authors who already knew, say that with the elderly. It was nice reunion with the prose of Venezuelans Slavko Supcic or Luigi Armando Castañeda, always playful, more closely. I read the story of José Pérez Reyes because some years ago he gave me his book, I read anything and not get excited. Hoped to reconcile with his writing, but I confess I was half. The suggestion that has gained in fluidity, demolishes soon overwhelmed with images like: "Suddenly the rain wet aggressively dropped glove." Then I read Carlos Wynter Melo. This story already had before and, without doubt, bet on the winner Wynter, because I think this story fit in perfectly all his writing. With tales of Neuman and Gonzalo Andrés Garcés, what I can tell. Gives the impression that the craft of writing they had learned before birth. With Alejandro Zambra passes that just do not understand what you're telling, you sense that there is a personal world behind. It goes beyond the fact of storytelling. If looking for something else, he already found. I admire the audacity of the story of Javier Payet, but I read his text much more engaging. That boldness also found in Antonio Ungar and I'm fascinated with the plasticity of his prose, with the force of his narrative. After such excitement, obviously, could not read with the same eyes tales Antonio Ortuño and Ricardo Silva Romero. I liked both stories: effective direct.
Naturally, I went to the Peruvian writers. I was struck by the careful selection of authors. Jeremiah Santiago Gamboa Roncagliolo and attached to the action, the weight of the environment, are quite effective. At the other extreme, Marco García Falcón, Alexis and Carlos Yushimito Iparraguirre. I like what I write three: his prose carefully, its high level of suggestion, but, I confess, I would find more differences between the three. More daring tales seem Diego Luis Trelles and Savior, as if trying to reinvent itself from its earliest texts.
I know what I'm saying nothing will change. Best. I still have to refer to others. Have noticed that I did not mention any women. With them I have nothing else to say. It takes time to understand me. "
Electronic source: First Impressions / La Cueva
Pictured: Antonio Ungar
Pirates Of The Caribbean Jesse
[Review critical] The future is ours ... and the present? [PART ONE]. FIRST IMPRESSIONS, Peru. Ricardo Sumalavia Blog. (August 2008) International Anthology
[Excerpt ]
[Excerpt ]
"Those listed have in common is having been born in Latin America between 1970 and 1980. This was announced by the subtitle of the anthology and then Trelles explains in the prologue. The set this time round as admitting the limitations this entails and the risk on the grounds of establishing a boundary to what can be understood as a previous generation, which had its respective standing in anthologies like, Mc Ondo, Lines S air and and speaks English. I wonder whether the stories included in this volume reveal (or are forced to reveal) a different aesthetic, a common proposal. I think not. It is true that many of the writers of the anthologies appeared in the nineties had to, in addition to publishing, make it clear that they were neither wanted to write like Vargas Llosa, García Márquez, Cortázar, etc. It is also true that most young people no longer need these details. It is something that has certainly earned. "
Electronic source: First Impressions / La Cueva
Pictured: Ricardo Sumalavia
Can Veet Be Used On Female Genitals?
story includes four Bolivians. Diario La Prensa, Bolivia. (August 2008)
[Excerpt]
[Excerpt]
"Today we officially went virtual anthology The future is not ours . Latin American storytellers born between 1970 and 1980. Here I am passing the little note and link, as the anthology are supporting the work of dissemination. Thanks in advance. "
The email writer Giovanna Rivero Santa Cruz now makes a Degree in Latin American literature at the University of Florida, USA, is dated Friday, 8 and refers to a selection of 63 of the best young storytellers of the region carried out by the Peruvian author and scholar Diego Trelles Paz. Four Bolivian listed authors consists of 16 countries.
Pictured: Giovanna Rivero Santa Cruz
Bmx Wedding Cake Topper
The future is not ours offers a large sample of new Latin American voices. SHORT FICTION VENEZUELA, Venezuela. (August 2008)
[Excerpt]
[Excerpt]
"The anthology The future is not ours, compiled by the narrator Trellez Diego Paz, is a project collecting stories of Latin American writers born between 1970 and 1980 and has a digital edition that includes 63 authors, and another, smaller necsariamente on paper with 20 authors. For the digital edition Venezuelans involved Jesus Nieves Montero, Carlos Villarino, Slavko Zupcic, Luigi Armando Castro and Roberto Martinez Bachrich. "
Pictured: Slavko Zupcic
Vintage Deck Ovens For Sale
[Info on blogs]: EDITION. Blog publishing professionals. (August 2008)
"Recently we learned of the release of The future is not ours anthology of Latin American narrators born between 1970 and 1980 and published online in the Colombian magazine piedepágina ( "boldly printed magazine that managed to reach number 12" , according to them). Conceived as a bipartisan project (a digital version will follow a printed version to be published in 2009 in Argentina) the stories of the future is not ours are selected and prefaced by the Peruvian writer residing in the U.S., Diego Trelles Paz.
digital version of the anthology brings together 63 stories from 16 countries, while the print edition will bring together 20 writers (many of whom participate in the digital version, but with different stories) from 14 countries. In addition, four new authors will be in the paper version: Samantha Schweblin (Argentina), Santiago Nazarian (Brazil), Juan Gabriel Vasquez (Colombia) and Daniel Alarcon (Peru).
Beyond the controversies that can always provide compilations anthologies, we wish to emphasize that this is a project designed for two media of publication. On the one hand the traditional paper media and other digital, which allows for a greater selection of anthology and that, as Trelles manifestly intended to combat the low presence of new publications in the Latin American market and promote the exchange with the reader:
one of the key concerns of this promotion consists of many internet users who use the electronic media-blogs, personal pages, the networks, virtual presentations, open-signal channels, electronic mail, etc .- to combat isolation internal editorial in engulfing the region (the inability to have an Ecuadorian or a Uruguayan reading a printed book to Paraguay or Guatemala), is to recover the active exchange with the reader that gives literature its unique fire relevant. "
Databases: Ediciona, free literature
Pictured: Samantha Schweblin
Tuesday, August 19, 2008
Brazil Famosas Singando
Hispanic anthology. Letralia magazine, Venezuela. (August 2008)
Source electronic 
"Peruvian writer Diego Trelles Paz and Footer Colombian magazine just released the digital anthology The future is not ours: writers of English America 1970-1980, an extensive collection that serves as showcase of new Latin American literature. In addition to a foreword by Trelles Paz, the book has an introductory text Naief Yehya. The latter says of the anthology is a delight in its diversity and its brash proposals do not seek the shelter of the old lamps and American holy men. " Also stresses that "in this sense follows the path of anthologies as McOndo (Fuguet and Gomez, 1996) but fortunately the differences in tone, style and theme are remarkable. These authors are no longer required to break the magical realism, or the boom, or the crack or other traumas literary disposable. " The book includes texts by 63 authors, among them Venezuelans have Bachrich Roberto Martínez, Slavko Zupcic, Luigi Armando Castañeda, Jesús Nieves Montero and Carlos Villarino, Uruguayan Gabriel Schutz, Dominicans Ariadna Vasquez and Rey Emmanuel Andújar, Peruvians Santiago Roncagliolo and Alexis Iparraguirre, Yolanda Arroyo Pizarro Puerto Rican, Panamanian Carlos Wynter Melo, Antonio Ortuño Mexican, Ecuadorian Miguel Antonio Chavez, Cuban Ena Lucía Portela, the Colombian Pilar Quintana and Carolina Sanin, Bolivians Maximiliano Barrientos and Giovanna Rivero, and the Argentines Oliverio Coelho, Gonzalo Garcés and Andrew Neuman ".
Source
: Letralia
Pictured: Ena Lucía Portela
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